So this week I’ve been doing days for Burberry shooting on the RED MX which has been very formulaic and tedious but the money is good so can’t complain. As of today for the rest of the week I’m working with different cameras, firstly the Aaton Penelope shooting 3-perf 35mm for a music promo which I’m testing today, and finally a short WWI drama shooting anamorphic on the RED Epic which I’ve worked with before and is such a nightmare. I’m very glad to be working with the Aaton Penelope for the next couple of days as it’ll relieve me of digital filmmaking. I may or may not post pictures or updates throughout the next couple of days but thought I’d at least share photos of the cameras for illustration purposes.

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    i want one so bad
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  9. jonshuler said: I’m grateful for the disruption that Red caused when they first came on the scene, but if they don’t come up with a way for the shooting experience to be joy filled, I think their user base will celling. It may be already…
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    I can dream…
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    red
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